THE CRACKER BOX

A Full-length Play by

Dean Barrett

 

CHARACTER BREAKDOWN

 

Number of Characters: 5

Bea McCarthy  early 90's - A very elderly woman living alone in a small Florida house which she calls her "Cracker Box." She does not have any tremor but, at her age, she musters an enormous effort of concentration in attempting to hear and understand others. Her faculties are intact but fading - it is mainly her will which keeps her going.  Eccentric and often suspicious, she is desperate to maintain her independence. (Caucasian)

Amy Washington 44 - Home health aid.  A woman who has to put in a lot of time taking care of old people to make ends meet.   Despite the fact that Bea McCarthy is not an easy person to get along with, Amy genuinely cares for her and feels a need to protect her. (Black)

Pauline Lawson 68 - Daughter of Bea McCarthy.  In good health but weary of spending an enormous amount of time and effort taking care of her mother - a mother who does not always appreciate what is done for her. (Caucasian)

Robert Lawson 76 - Also in excellent health for his age. As the man who married her only child, Robert is unfairly and irrationally resented by Bea McCarthy.  The more he tries to fix up the Cracker Box, the more he is accused of trying to "take over."  He presses his wife to place her mother in a home. (Caucasian)

Policeman 30's - He responds to a call to check on Bea when she doesn't reset her lifeline box.  Polite, patient and very familiar with Tennessee Ernie Ford. (Black)

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THE CRACKER BOX

 

TIME

Mid-December 2008

PLACE

Vero Beach, Florida

 

Number of scenes: 13

Vero Beach, Florida. Mid-December.  A living room and a kitchen and a glimpse into the interior of a car port; all part of Beatrice McCarthy's small Florida ranch-style house that she calls her "Cracker Box."

The living room and kitchen are cluttered with a lifetime accumulation of bric-a-brac and knickknacks.  In the living room, connected to the phone is a "lifeline" box, which can send a signal directly to a local hospital in case of emergency.  On top of the television set is a light bulb connected to the phone which blinks on and off when the phone rings.

In the car port is a rusted and faded Rambler with flat tires which her late husband drove, and a collection of his tools.  In the center of these tools, hanging above a wheelbarrow, is an old-fashioned metal rake, its curved metal tines glittering with reflected light.

............................................................................................

 

Scene 1

 

4:30 a.m. From the light of a table lamp, as well as from Christmas tree lights, we can see AMY WASHINGTON, fully dressed, sleeping on the couch. A magazine she was reading has fallen to the floor beside her shoes.

BEA McCARTHY, in nightgown and slippers and employing a cane, walks slowly from her bedroom into the living room. Her steps are small and uncertain, a kind of hesitant shuffle.

She stares at AMY then lets her cane fall to the floor. AMY stirs slightly but remains asleep. BEA holds onto the back of a chair and, very slowly, with difficulty, reaches down and retrieves the cane. She then walks toward the couch. She holds the cane up as high as she can and lets it fall to the floor. AMY is abruptly wakened.

 

AMY

Bea McCarthy! What are you doing awake?

BEA

What are you doing asleep? Are you paid to stay here at night to sleep?

AMY

Bea Bea, you are a hard woman. You know I'll be here all day today.

BEA

Well, I thought you slept in the afternoon before you came over.

AMY

I tried. My husband had other ideas.

(AMY gets up, retrieves BEA's cane and hands it to her)

AMY (cont)

You know I just dozed off for a few minutes. I got to work daytime, too. You think I can live on what the Council-on-Aging pays me to take care of folks like you?

BEA

Nurses do all right.

AMY

Well, maybe they do, but I'm just a plain old home health aid, and I don't do all right.

(SHE puts her arm around BEA's shoulder and starts to turn her toward the bedroom)

AMY (cont)

Now you get back to bed and go to sleep and I promise to stay awake.

BEA

I can't sleep. I need some tea.

AMY

Now, Bea...Oh, all right. One quick cup of tea and then bed.

(SHE looks at her watch and shakes her head)

AMY (cont)

Four-thirty in the morning!

(AMY enters the kitchen to make tea. BEA stands looking around the living room. SHE moves to the rear wall and pulls a cord, opening the curtains of the picture window. SHE then flicks on a wall switch.

An almost eerie back yard light reveals glimpses of palm and Australian pine trees and a sidewalk cutting across a back lawn. Just outside the window is a tall, standing, circular thermometer with large, easy-to-read numbers. Its dial points to 45 F. BEA closes the curtains and shuts off the light)

(AMY is boiling the water and taking cups and saucers from shelves. As she opens and closes cupboards, the hinges make squeaking sounds. BEA looks around and stares at the light bulb on the TV and at the phone. AMY begins running water in the sink)

(BEA walks to the phone and lifts up the receiver. SHE adjusts the volume adjustment knob on the phone, controlling the volume of incoming voices, to "high," and speaks loudly)

BEA

Hello...Hello!

(SHE dials a number. As she does so, AMY turns off the water)

BEA (cont)

Pauline, did you call me?

(AMY rushes into the living room)

AMY

Bea, what on earth are you doin'?

BEA

(into the phone)

I thought I heard the phone.

(AMY holds out her hand for the phone. BEA gives it to her)

AMY

(into the phone)

I'm sorry, Mrs. Lawson, Bea and I are having tea and she must have thought she heard the phone ring...Well, she couldn't sleep...Yes, ma'am, I will. And I really am sorry about this.

(AMY puts the phone down)

AMY (cont)

Now you've gone and done it. Waking up your daughter and her husband at four-thirty in the morning!

BEA (quietly)

I thought the phone rang.

(AMY returns to the kitchen to pour the water and bring in the tea)

AMY

You know your daughter is nearing seventy and her husband is older than that. They aren't spring chickens anymore themselves. You best remember they be needing their rest too.

(BEA sits down and stares at the phone)

BEA

I must be losing my brains.

(AMY hands a cup to BEA and then sits in a chair)

AMY

And you have a doctor's appointment at ten this morning!

BEA

This morning?

AMY

Yes, this morning. And I'm taking you because your daughter is taking her husband to his doctor. Remember?

BEA

(trying hard to remember)

High blood pressure?

AMY

That's right. High blood pressure. Which you probably gave him.

(BEA smiles and emits a slight chuckle)

AMY (cont)

You ought to be ashamed of yourself the way you treat that man. He fixed your roof, he painted the awning, he rakes and mows your lawn, he-

BEA

He steals my silverware.

AMY

Bea McCarthy, he does not steal your silverware!

BEA

Then who does?

AMY

Nobody does, that's who.

(THEY drink their tea in silence for several seconds)

BEA

Maybe I should change my will.

AMY

Maybe you shouldn't be worrying so much about your will. A person would think you're a millionaire the way you go on about your will.

(A few more seconds of silence pass)

BEA

Where's my rake?

AMY

In the garage. Where it always is.

BEA

Somebody hung it on a nail. I can't reach it.

AMY

Bea Bea, do you ever listen to what a person tells you? You are not to touch that rake! Mr. Lawson hung it out of your reach because that's exactly what your daughter asked him to do.

BEA

Australian pine needles are all over the lawn.

AMY

I don't care if they get piled six feet high out there. You leave them pine needles alone. You been in the hospital twice from bruises from fallin'. From rakin'!

BEA

And I came out twice!

AMY

You came out twice because you hit the grass when you fell. But that's not grass out there by the sidewalk and any fool can see that's where you were rakin'.

BEA

I rake where they fall.

AMY

The doctor says if you ever fall and hit that cement, your hip bones and shoulder bones and all your other bones are gonna snap like twigs.

BEA (laughing)

Then I'll have to rake them up too.

AMY

You might think it's funny now but as the good Lord is my witness if you fall again and break somethin' you won't be living in your own house anymore. You'll be lying in a bed in a nursing home.

BEA (chuckling)

I'll be lying in my grave.

(As they drink their tea, BEA seems to be lost in memory. SHE hums a few bars of "Let the Lower Lights be Burning.")

AMY

Why you want to be rakin' up them needles all the time, anyhow? Your son-in-law will do that for you.

BEA

He wants to take over.

AMY

Bea, that is absolute nonsense and you know it. The more that poor man does for you the more you accuse him of stealing or trying to take over. He don't want your house. He got plenty of space in his own house. From now on, you let him rake up, you hear? I swear, sometimes I'm not sure if you want to live or not.

BEA (extremely determined)

I want to live every bit as much as you do. But not like some prisoner sitting on a couch waiting for the end to come. They're my pine needles and my pine cones on my land and I'm the one who should be raking them up. I know I'm an old biddy but if I can't do that much...

(almost giving in to tears but then recovers)

then that means God called me and I didn't hear him.

AMY

Everybody hears when God calls. Don't be worryin' about that.

(BEA starts laughing. She takes out her hearing aid and holds it out to AMY)

BEA

Here. Turn up the volume and see which one of us he's calling now.

AMY

I swear, I never saw a person could laugh and cry and be happy and sad in the same ten seconds the way you can.

BEA

Such is life in the fast lane, my dear. I've got to fight every day. It's a daily battle. Paul was a fighter too. Whenever I complained he would always say, "Fight on, Brave Heart."

AMY

I'm sure your husband was a fine man.

BEA

But the cancer got him in the end. The poor man was in such pain at the end. I doubt if he would want to return. He died...so many years ago...How did I get to be such an old biddy?

(Her memory begins to fade)

BEA (cont)

Are my brothers still alive?

AMY

Now, Bea, you know they're not.

BEA

And my sister, Gertie?

AMY

She's gone too, Bea. You know that.

BEA

Am I the last of the Yerrings?

AMY

Yes, Bea. You are the last.

(BEA begins to cry. AMY goes to her and hugs her)

AMY

Now, don't cry, Bea. Just count your blessings. Think how lucky you are to have a daughter like you got. If you didn't have her to do all your paperwork for you and take care of paying your bills-

BEA (recovering and indignant)

I pay my own bills!

AMY

I know that. I'm talking about the paperwork she does for you. Taking care of sending out checks and filling out forms. Every time you lose your balance and sit down on that lawn out there and go off to the hospital she has to fill out all kinds of Medicare forms and Blue Cross forms and doctors' forms and-

BEA

But I pay!

AMY

I know you do. I know that. Now, let's get you back to bed. Ten o'clock is gonna come awful early.

(AMY helps BEA rise and together, BEA with her cane, they walk toward the bedroom. The light dims)

BEA

I always pay my own bills. My sister Gertie and my brothers, all the Yerrings were known for that. And Paul and I never let anyone pay for us. Not when we lived in Connecticut and not here in this cracker box.

AMY

I know that, Bea. I know that.

BEA

I don't owe money to anyone. I've got money set aside for my funeral and for my coffin. And the headstone was paid for long ago.

AMY

All right. Now let's get you to bed.

BEA

I don't owe money to any person alive. I wasn't raised like that. I always had a good name.

AMY

I know that, Bea.

(Lights dim to BLACKOUT)

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THE CRACKER BOX

Scene 2

As the scene inside BEA McCARTHY's Cracker Box dims to black, lighting reveals a separate bedroom scene. (The suggestion of a bed and night table should be adequate.) BEA's daughter (PAULINE LAWSON) and son-in-law (ROBERT LAWSON) are awake. PAULINE is lying in bed under the sheets and her husband is sitting in his boxer underwear on the edge of the bed smoking a cigarette.

PAULINE has whitish yellow hair and a surprisingly smooth and unwrinkled face for her age. Although it is thinning, ROBERT has most of his hair and its pure whiteness contrasts sharply with his deep Florida suntan. Both of these people are active, alert and in good health. Both appear younger than their ages. ROBERT is staring sullenly at the bedside clock which reads 4:45. PAULINE speaks while shading her eyes from the light.

PAULINE

Come on, Bob, try to sleep.

ROBERT

I can't sleep. Would I be sitting here like a fool at quarter to five in the morning if I could sleep? I can't. Your mother saw to that.

PAULINE

It's not her fault.

ROBERT

Then whose fault is it? The telephone company's? Alexander Graham Bell's?

PAULINE

She can't help it if she thought she heard the phone. She gets confused. She's ninety-six, remember? And if she thought she heard it she naturally would have thought we might have called her. This isn't the first time.

ROBERT

Exactly. And it won't be the last time. And each time you'll give her the benefit of the doubt that it was an accident.

PAULINE

You're saying she woke us on purpose?

ROBERT

I'm saying she woke me up on purpose.

PAULINE

I told you, she gets confused.

ROBERT

And if she's that confused, as I've told you for six years, she belongs in a nursing home.

PAULINE

Oh, don't start, all right? My mother likes to be independent and she is going to stay in her own home as long as she is able.

ROBERT

That's just it! She isn't able. She can stay there alone only because we spend half of our lives taking care of her. What is this daily sacrifice for a 96-year-old woman doing to our lives?

PAULINE

How much longer do you think she's got, for God's sake?

ROBERT

You've been saying that since we moved to Florida; for six years. I thought we came down to enjoy the rest of our lives, not to wait hand and foot on a woman too stubborn to admit that she can't live alone anymore...It wouldn't surprise me if she outlasts both of us.

PAULINE

Don't be so selfish.

ROBERT

Selfish! That isn't true and you know it. I've done a lot of things for that woman. And in return she makes it clear she can't stand the sight of me. Besides, she can't be trusted on her own, anymore, and you know it. She left the stove on last month and almost burned the house down. If we hadn't stopped in when we did she probably would have. She keeps hiding bank box keys, bills, money - even from you, her own daughter. And she keeps falling from doing things she's not supposed to do. And if she falls again, it's most likely over.

PAULINE

That should please you...Look, I'm sorry. O.K. I'll mention the nursing home to her again before we leave for Miami.

ROBERT

Mentioning it won't do any good and you know it...Indian River Estates is a beautiful place; she'd have people to take care of her around the clock, people her own age to talk to, and it's only a ten-minute drive from here; we could visit her every day. Then you and I could have a little time to enjoy the rest of our lives.

PAULINE

I said I'll talk to her.

ROBERT

...Maybe you should ask Amy to talk to her. Bea might listen to her.

PAULINE

All right. Now, we've got a busy day tomorrow: the doctor's, the travel agent, the bank and the meeting at the clubhouse. Let's get some sleep, O.K.?

(ROBERT speaks more to himself than to his wife)

ROBERT

I put Zip Guard on her wall panels to keep the dampness from warping them, I painted her awnings and car port, I cleared the bushes so she could see the road, I moved the mailbox closer so she wouldn't have to walk so far, I put hurricane awnings over her picture windows-

PAULINE

Robert, for God's sake, go to sleep.

ROBERT

I even helped Paul put up a new fence on the Old Mother Bailey House when she lived in Connecticut. So tell me, what did I do to that woman that causes her to hate my guts? Explain that to me if you can. Help me to understand what my crime was. Then I can sleep.

(PAULINE turns over, away from the light, to sleep)

PAULINE

You know the answer. We've been through it all before.

ROBERT

Right. I do know.

(HE stubs out his cigarette and reaches out and turns out the light. HE speaks into the darkness)

ROBERT (cont)

I married her only daughter.

BLACKOUT

............................................................................................

THE CRACKER BOX

 

Scene 3

Later, the same day. The living room of the Cracker Box. The picture window curtains are parted, again revealing the back yard of the house. Pine needles and pine cones are scattered about on the lawn and on the concrete walkway. BEA is lying on the couch while AMY is placing drops in her ear.

AMY

Hold still, Bea Bea. We don't have enough of these drops left to waste any.

BEA

My dear, you are talking to my bad ear again, so whatever it is you're saying, you'd better wait and say it to my good ear.

AMY

Do you know what your daughter is gonna do to me when she finds out you didn't have your check up? And when she sees we're almost out of these ear drops? Do you?

BEA

That doctor is a palooka, anyway.

AMY

Maybe so, but what am I supposed to tell her?

BEA

Tell her we got caught in a snowstorm. Anyway, she knows I'm not a morning person.

AMY

It's all right for you to make fun; I'm the one that'll be catching the blame.

BEA

Just tell her the truth. His nurse had me sit without any clothes on for 20 minutes in a tiny room colder than Connecticut ever was in the winter. Waiting for the doctor to come in - and he didn't come in. So I got dressed and left.

AMY

Well, he must have been with other patients. You've got to-

BEA

And 20 minutes is long enough for a 96-year-old woman to sit with no clothes on. What is he running? A nudist colony?

AMY

Maybe the nurse didn't tell him you were in there.

BEA (surprised)

Why wouldn't she? That's her job!

AMY

Because in the waiting room when she was talking to the receptionist a 96-year-old woman I know said something about her, remember?

BEA (genuinely confused)

I only said I knew something about her.

AMY

You practically shouted it: "I know something about that nurse!" All the patients looked at us.

BEA

Was I talking loud?

AMY

They probably heard you in Miami.

BEA

Well, I guess people who don't hear well always think nobody else can hear well either...(louder) The Golden Years! Hah!

AMY

I'm going to have to ask the doctor if he can reschedule his appointments.

BEA

Ask the doctor to reschedule his brains.

AMY

That's just what your daughter will tell me to do.

BEA

She's going on a cruise, anyway. Going to Bermuda, I think. Everybody in my family is cruise-crazy. Except me. Who wants to spend two or three days on a boat to reach some tiny speck of land in the ocean where everybody charges the sky for anything you want to buy? And then they got to come all the way back.

AMY

They're not going to Bermuda this time. They're going to Barbados. I told you that.

BEA

Same thing.

(AMY helps BEA sit up, drapes a sweater around BEA's shoulders, then begins clearing the table of dishes)

AMY

Well, they must like it.

BEA

Sure they like it. They get away from me.

AMY

Bea McCarthy, you know that isn't why they go.

BEA

Well, you tell me what's so blame good about the Bahamas?

AMY

Barbados!

BEA

Same thing.

AMY

And before I forget, you stop taking that garbage bag out when I'm not here. I don't know how you do it but don't do it again.

BEA

Someday, before I'm gone, I'll tell you my secret.

AMY

Well, your son-in-law says you must be the reincarnation of an ancient Egyptian.

BEA

Egyptian?! What's he mean by that?

AMY

Oh, you know. Nobody ever figured out how they could raise up them huge stones to build the pyramids. And nobody here can figure out how you manage to carry a garbage bag all the way out to the back dumpster when it's pretty clear you can't even lift it.

BEA (relaxing and smiling)

Well, my son-in-law is correct for once. That's what I am: an ancient Egyptian. Very ancient.

AMY

I'm thinking you got a boyfriend comes round here when I'm gone and does chores for you. Maybe the postman?

BEA (waving the idea away)

He's after me but he won't get me.

AMY

Bea, the postman is not after you.

BEA

Then why did he leave the flowers?

AMY

Because the last time you fell and went to the hospital he heard about it. He didn't know a tough old bird like you would be right out again. He's just a very nice man.

BEA

Says you.

AMY (laughing)

Bea Bea, you are the first 96-year-old woman I ever met who thinks every man is after her.

(BEA looks at the thermometer outside the window)

BEA

Seventy-four degrees. Not bad for December. In Connecticut, they're shoveling snow now. Six inches. I saw it on the weather channel...The Old Mother Bailey House must be covered in white. Poor Paul used to spend hours shoveling the driveway and walks and front steps...I wonder who's doing it now.

(Something out on the lawn catches Bea's eye. SHE leans forward to look)

BEA

Look! They're drunk again!

(In her excitement, BEA topples onto the arm of the couch. AMY races over the catches her)

AMY

Bea, what in God's name are you doin'?

BEA

They're drunk again! And Pauline doesn't believe me!

(AMY looks out on the lawn and sees nothing)

AMY

I think you're drunk! There's nobody out there!

(BEA is now standing beside her.  SHE takes AMY's arm and points with her cane)

BEA

The robins! There! Over there!

AMY

Oh, birds. I thought you...Hey, those birds are acting awful funny. Like...

BEA

They're drunk! They come in the winter to eat the berries off my Brazilian pepper trees. You see the red berries all over?

AMY

You mean the Florida hollys?

BEA

That's what they call them down here. But they're like alcohol to these birds. It happens every winter.

AMY

You ain't lyin! Look at them! They're staggering! Like they just finished off a pint of old style sour mash! And look at that one! He's rolling all around the lawn! If I didn't see it with my own eyes I never would of believed it. So that's why you wouldn't let Mr. Lawson pull out all them hollys.

BEA

Up north, robins fly in pairs. Down here, they flock together. Same as people.

AMY

Not you! You are a lone owl. Wide-awake and ornery!

(They laugh. After several seconds, AMY returns to the kitchen table while BEA sits on the couch dividing her attention between AMY and the drunken birds)

(AMY begins cutting oranges at the kitchen table)

AMY

You want me to peel you an orange? We got Honeybell Tangelos.

BEA

In December? Honeybells come in January.

AMY

Well, here they are two weeks early. Somebody couldn't wait to January.

BEA

Maybe somebody knew I might not be here in January.

AMY

Somebody knew these are more delicate than navals and easier to peel; and there would be folks waitin' for them. I doubt you bein' here or not bein' here has anything to do with them coming out early. So, you having one or not?

BEA

No, Honeybell. But peel me a tangelo if you like.

AMY

Now, quit your foolin'. You know you always get an orange about this time of day. And you better have it while you can. If Old Man Winter comes like he did last year and kills them off, you won't have any as good as this.

(AMY hands BEA a plate with slices of an orange.  THEY each pick up an orange slice and bite into it)

AMY (cont)

Mm-mm! That sure is juicy! You know it's a cross between a grapefruit and a tangerine. Nothing quite like it!

BEA

(pointing to the TV)

Hey! You can say that on that television set and get paid for it.

AMY

I'm not lyin', am I?

BEA

Aren't I a cross between a German father and an Irish husband? So why didn't I grow more juicy...instead of just...wrinkled...When are we going to the cemetery?

AMY

Give me a chance to rinse these dishes; if you don't mind waiting.

(AMY gets up and goes into the kitchen)

(BEA rises and draws her sweater around her. SHE walks with her cane very slowly with very small steps downstage. SHE stops moving about midway through her monologue)

BEA

Paul is waiting; not me. (more to herself) Paul was always waiting. He said I'd be late to my own funeral. Something about that man always in a hurry. He hated traffic lights; especially along this street. Always started cussing if they weren't green for him. I don't know where he thought he had to go. Or who he thought was waiting...Then when he died and we followed behind the hearse to the cemetery we had a police car in front leading us and it led us right through all the lights - red or green. Paul would have loved it...They never would have done that up in Groton. But, here, in Vero, they even had policemen posted at two of the intersections. Somebody down here still thinks dyin' is something special. Maybe that's why old biddies like me come to Florida to die. Maybe...

(BEA looks about the room then moves to a table and opens a drawer. SHE takes out an oval-shaped mask of white cardboard and places it over her face)

(Holes have been cut out for the mouth and nose. Short black lines have been painted around each eye to suggest eyelashes, and gaudy red paint around the mouth as lips and also on the cheeks. Fluffs of white cotton with two tiny red bows have been glued to the top of the mask as hair)

(The effect of the mask - especially of the mouth which suggests not laughter but a scream - is unintentionally garish, unnatural, almost vulgar)

(Wearing the mask, BEA moves toward the kitchen and stops behind AMY at the sink. SHE waits for AMY to turn around. AMY doesn't turn)

BEA (cont)

Trick or treat!

(AMY turns around)

AMY

Bea Bea, Halloween is over. I told you that. You're getting confused again. Anyway, you know you can't dress up and go out trick or treatin' on Halloween. Not anymore.

BEA

I was trick or treating before you were born.

AMY

That is it exactly. Can you imagine what your daughter would say to me if I let you out to trick or treat and you fell and hurt yourself? How long you think I'd be employed with the Council-on-Aging if I let that happen?

BEA

I want to dress up as a ghost; I'm going to be one soon, anyway.

AMY

Now, Bea McCarthy, you hush talkin' like that. It gives me the creeps.

(BEA takes the mask off and looks at it)

BEA

I made this at the Care Center.

AMY

I know you did.

BEA

They said it was the best mask. I know it was a lot better than Helen's. She tried to make a witch mask.

AMY

And did she?

BEA

She did; it looked just like her.

AMY

Now, you shouldn't be talking about Helen like that. She's your friend. Besides, she's only 84; she doesn't have your experience in makin' masks.

BEA

Eight-two! She likes to say she's older than she is. I think she's a little out of it.

AMY

Well, she probably has her good days and her bad days, just like somebody else I could name. Anyway, your mask is very nice.

BEA

Do you really like it?

AMY

I said I did.

BEA

Then you take it.

(BEA hands it to her)

AMY

Oh. Well, Bea, you already gave me the wall hanging you made at the Center last month. The one with the sea horses and the dried flowers.

BEA

You don't want it?

AMY

Well, sure, if you're sure you don't.

(BEA dismisses it with a wave. SHE returns to the living room and stares at a large color painting of a Chihuahua. SHE is near tears)

BEA

I miss my little dog so much. When you're old, your dog is your only friend.

AMY

(calling in from the kitchen)

I know you do, Bea, but now we've got to get going. Have you got the flowers?

BEA

Where are they?

AMY

Right there on the table by the couch.

(BEA moves to the table, picks up the flowers, and notices the drawing of "The Sea" on the wall. SHE adjusts her glasses and squints to look at it)

BEA

I made this there, too. All I did was fill in the outlines. And the Care Center called it "Original oil by Beatrice McCarthy."

(AMY is walking to BEA with a glass of water and a pill)

BEA  (cont)

(still staring at the drawing)

What am I? A child again? At 96? The Golden Years!

BEA/AMY

Hah!!

AMY

Stop complaining long enough to take your medicine.

(BEA looks at the pill suspiciously)

BEA

What is it?

AMY

Now, you know full well what it is. It's your Lenoxin that you take three times a day to keep your heartbeat steady. Why do you always want to be difficult?

(BEA takes her pill, takes some water and hands the glass back to AMY)

BEA

Do you think I'd still be here if I weren't?

BLACKOUT

............................................................................................

 

THE CRACKER BOX

Scene 4

A short while later. The cemetery. BEA, holding flowers, and AMY are standing before a grey granite double headstone. The left side of the stone reads:

PAUL MCCARTHY

1899-1984

The right side of the stone reads:

BEATRICE MCCARTHY

An inscription above the names reads:

TOGETHER FOREVER

BEA hands the flowers to AMY who places them on the grave. BEA leans on her cane.

BEA

Paul loved Florida. He loved Vero. Always playing shuffleboard in the park. Even had his own stick that he brought to the shuffleboard courts every day. I finally gave up watching them play. I had to. They used to take those games so damn serious. They'd swear. God almighty how those men would swear...They're all gone now...So what's the score?

AMY

Your husband probably thought playing shuffleboard in the Florida sun was a lot better than shoveling snow in Connecticut.

BEA

Well, Connecticut wasn't all bad...When we lived in Groton at the Old Mother Bailey House we had 12 rooms, a cellar and an attic. That was a house. Now, I'm just a poor old lady reduced to living in a cracker box...People living there hid Revolutionary War soldiers escaping from Fort Griswold in a secret room. In the cellar. Hid them from the British. My high school, Colonel Ledyard High, was named after the American commander. Colonel Ledyard had fought like the dickens, but, finally, it was useless to go on: he had to surrender the fort. And the British commander came up to him and said, "Who commands this fort?" And Colonel Ledyard held out his sword; (BEA gestures with her cane) the...the hilt first, and said, "I did, sir, but you do now." And the Britisher ran him through with his own sword...

(As BEA pulls the tip of the cane into her abdomen, SHE almost totters over; AMY steadies her)

BEA (cont)

I never did trust the British much since then.

AMY

Well, that was a long time ago, Bea Bea.

BEA

Everything was a long time ago. I still don't like it any better.

AMY

(looking around the cemetery)

An awful lot of folks reserved their plots well ahead of time. They all got a date of birth and that's all. They're still among the living.

BEA

Why should they wait for prices to go up?

AMY

You've got a point there, Bea Bea. But it looks like you're the only one who didn't put any birth date on your headstone. Everybody else has got one.

BEA

That's right. No birth date and no death date. Not 'til I'm gone.

AMY

Bea, you are one contrary woman.

BEA

If you put your birthdate down, then there's always somebody waiting to fill in the year after the dash. Same on file cards with authors' names in the Vero Beach library; any library. On headstones, same thing. Somebody somewhere is anxious to fill in the year of somebody else's death. The world is full of people waiting for you to drop...Besides, other people coming to the cemetery to put flowers on graves might notice my birthdate.

AMY

Well, what does that matter?

BEA

Not anybody's business how old I am; except me and my Maker.

AMY

Whatever you say, Bea Bea...Seems to me there were some flowers growing near here. I remember white blossoms - like little trumpets.

BEA

Over there. They were called Angel's Trumpet. I think the angels got tired of blowing their trumpets - they must have said, "Why the dickens should we keep blowing our trumpets when old lady McCarthy never comes?!

(BEA walks a few steps up to the headstone and uses her cane to push a few small stones away)

BEA (cont)

Paul used to talk a lot about being cremated. I'd have gone along with it if that's what he wanted. Then he heard that the bones don't burn. They mix them up and crush them in some kind of machine that resembles a giant coffee grinder.

(BEA's description has clearly discomforted AMY who quickly feels her own body then shakes her hands at her sides a few times, as if trying to rid herself of the bone-grinder image)

AMY

Would you like to be alone with your husband for awhile?

(BEA stares at the grave for several seconds then starts to walk away)

BEA

I'll be alone with my husband soon enough. I'm not missing Desperate Housewives.  That blonde is one scheming vixen.

AMY

I'll bet dollars to donuts you are the oldest person watching that show, Bea Bea.  Most people your age would be reading the Bible.

BEA

I have read my Bible.  More sex and violence going on in that book than anything on TV.  Why do you think it's a bestseller?.

(BEA walks off; AMY follows her)

BLACKOUT

............................................................................................

 

THE CRACKER BOX

Scene 5

Evening of the same day. Living room of the Cracker Box. BEA is on the couch watching TV when the phone rings. The light on top of the television set begins blinking. SHE searches for the remote but can't find it. SHE then struggles up and with cane in hand turns down the TV and walks to the phone. SHE picks it up.

BEA

Hello?

(SHE turns up the volume on the phone)

BEA (cont)

Hello? Oh, Helen. How are you, dear..? No, dear, I won't be at the Care Center for a while; I'm not feeling all that well. I think I'll just stay in my Cracker Box...I know I should get out, Helen, but I don't want to play bingo at the Center, anymore. It's hard to hear the numbers there. The sound is better at the church. I'll wait for the next church bingo...No more? Why..? Overeaters Anonymous? Well, why can't they hold their meetings someplace else..? I don't care if they do pay. I hate people who throw their weight around. (laughs) I think I made a joke...Never mind, dear. But I'll tell you one thing and that's not two: If Reverend Miles says no more bingo that's because Reverend Miles always lost! What about that smaller room by the back door..? The one Sarah found the snake in...Narcotics Anonymous? My Lord. Helen, dear, somebody should offer Old Age Anonymous for people like me who can't stop living too long...I don't want to be more like Sarah! And I love life every bit as much as she does. You think I don't love life..? (softer) Anyway, she's only 88. What does she know about life? Besides, Sarah thinks every sunny day in Vero is like a "golden holiday"... Nothing's wrong with that. Except that maybe when age and temperature and I.Q. are all within a few points of each other, it's only natural for that person that every day is a golden holiday...I am not mean; I just don't like Polyannas...I know, I know, "If you see someone without a smile give him one of yours." If Reverend Miles doesn't stop repeating that silly cliche every Sunday I'm going to buy some incense sticks and become a Buddhist...I am not jealous of Sarah! Sarah is just an old biddy who had three husbands and thinks that makes her superior to anybody who made do with just one. And half the time she calls out "bingo!" she doesn't even have it...She may be too vain to wear a hearing aid but she doesn't have the numbers wrong; she just wants to win the quarter...What dear? George Stephens? How could he be after Marie? I thought you said last week he was after you...Bah! Men are so fickle they don't know what they want. Anyway, Marie's cat died last week; maybe he was just consoling her...Yes, Lolita, the Angora. That was her name. Marie said it purred just before it died. She said the veterinarian told her he's seen a lot of cats purr just before they die...Well, what I'd like to know is how she's got money to pay for a vet but they don't make her pay when she goes to the Care Center. And Emily doesn't pay anything either. A lot of the old biddies don't pay rent. It burns me up. I pay for it and they don't...So I have a house; you think I can eat the house? Anyway, I don't own a house; I own a cracker box...All right, dear, you get a good rest...Don't worry about me, dear. Paul always used to say, 'Age is not important unless you are a cheese!..You too, dear. Goodnight.

(BEA hangs up the phone and, as she walks, she grips her side as if in rheumatic pain)

BEA (cont)

Just call me Cheddar.

BLACKOUT

............................................................................................

 

THE CRACKER BOX

Scene 6

Morning of the following day. Living room of the Cracker Box. A large, old-fashioned, record player has been placed in front of the couch. AMY is sitting beside BEA on the couch reading a newspaper. BEA is eating orange slices from a bowl. BEA takes one of the slices out of her mouth and looks at it, then puts it back in the bowl. SHE examines other slices but doesn't eat anymore. AMY suddenly takes BEA's arm and holds up the paper to read something to her.

BEA

Hey! Are you a nurse taking my blood pressure?

AMY

Bea Bea, it says here that in Asia each year has a name: The Year of the Horse, the Year of the Cock, Year of the Monkey. Like that. For twelve years. That's one cycle. Then after twelve years it starts over again. And at the end of five cycles a person is sixty years old and everybody honors them. Why, Bea, you have done...eight cycles!

BEA

So now I'll get started on the next eight. Wait'll Robert hears that he has to honor me.

AMY

(looking at her watch)

Mr. Lawson should be back with that record needle pretty soon.

BEA

Eight cycles! That deserves a drink. A party. Hey, kid, you want to dance?

AMY

You'd better wait for the music.

(PAULINE enters from the bedroom with a 78 RPM record and stands near BEA so she can hear her. SHE places the record on the turntable)

PAULINE

I found your record but I can't find your bank box keys. I'll have to ask the bank to make new ones again.

BEA

Pauline, dear, I know they're in there somewhere.

PAULINE

(sotto voce to AMY)

So is half of Vero Beach!

(BEA cups her ear and strains to understand)

BEA

You found a giraffe on the beach?!

(AMY and PAULINE laugh)

PAULINE

Ma, you've got to stop hiding things!

BEA

I don't hide them; I just...misplace them.

PAULINE

Why aren't you eating your orange?

BEA

It's not any good, dear. I'm sorry. Can you take them back?

PAULINE

Take them back? Ma, they're fresh Vero Beach oranges. I just bought them.

BEA

I know you did, dear. But they weren't grown around here. All the stores try to sell oranges and grapefruit as if they're from here because we've got the best citrus. You have to watch them every minute.

PAULINE (skeptical)

Let me try a slice.

(SHE takes a slice from the bowl and bites into it)

BEA

When I could still shop for myself, I caught my grocer trying to mix in fruit from other parts of Florida with some of ours. I told him a thing or two.

PAULINE

It tastes all right to me.

BEA

Believe me, dear, that orange is not from Indian River County. Wherever it's from, the soil didn't have enough limestone. People these days think old ladies like me don't know anything; they're wrong!

(PAULINE hands BEA some black-and-white photographs)

PAULINE

I found some old photographs of children. Aren't they your brothers and sisters?

(BEA studies them carefully)

BEA

They've faded. There won't be anything left on them pretty soon...Did Robert fix my projector yet?

PAULINE

He tried. He couldn't get it to work.

BEA

How hard did he try?

PAULINE

Ma, it's an 8-millimeter. People use videos and DVDs now. Even the store that sold them went out of business long ago.  

BEA

All the still pictures of my brothers and sisters have faded and now I can't even see the film of the old Mother Bailey House.

PAULINE

Why don't you let Henry come over and take a look at it?  He says if the film is in good shape he knows where to send it to get a disk made.  Then we can-

BEA

Who?

PAULINE

Your neighbor. He's good at fixing that kind of-

BEA

Henry?!

PAULINE

Yes.

BEA

I'm supposed to let a man who buried his wife on the beach come into my house?

PAULINE

Ma, he wasn't burying his wife on the beach.

BEA

Then what was he shoveling the hole for?

PAULINE

I told you. He walks beaches with a metal detector looking for coins. He heard something so he stopped to dig at that spot.

BEA

That's his story. I say he was burying his wife on the beach.

PAULINE

In broad daylight?

BEA

Yes. In broad daylight and with his detector. That way people like you won't suspect anything.

PAULINE

You really have grown suspicious, ma.

BEA

So where's his wife?

PAULINE

His wife is in New Jersey caring for their sick daughter.

BEA

And how do you know? Because he told you that. I say he buried his wife on the beach. And he's not the only one. Florida beaches are full of buried wives.

PAULINE

All right, ma. Have it your way.

BEA (to herself)

And widows are buried before they die. In cracker boxes.

(PAULINE enters the kitchen)

PAULINE

(still unconvinced)

All right, I'll take these oranges home with me.

BEA

Get your money back, dear. Your grocer will respect you for it.

(The front door opens and ROBERT LAWSON, in an unhappy mood, enters with a small bag. HE wipes his feet and takes a record needle and cartridge out of the bag)

BEA

Did you get the needle?

ROBERT

Yeah. I got it. I had to go all the way into town.  He had to dig it out of a bin in his back room.  He never thought anybody would ever want one.  

BEA

What about Howard's Market? You should have tried there.

AMY

Bea, Howard's Market closed years ago and you know it.

BEA (trying to remember)

I guess you're right, dear. I'm losing my brains again.

(ROBERT inserts the new needle and cartridge into the record player and tries it)

ROBERT

It's working.

(BEA begins laughing)

AMY (puzzled)

What is so funny, Bea Bea?

BEA

I was just thinking: Robert always complains I give him the needle; Now he gave me one!

(ROBERT's smile is more of a grimace. HE sits down and begins to read a newspaper. From the way he slumps behind it, it is obvious that it is a kind of defensive shield he often places between himself and his MOTHER-IN-LAW)

(BEA places the decades-old 78 RPM record PAULINE gave her precisely on the turntable and pushes the button. WE HEAR a somewhat warped HARBOR LIGHTS made famous by the Platters)

BEA

Pauline!

PAULINE (alarmed)

What?

BEA

That's not HARBOR LIGHTS!

(ROBERT speaks to her over his newspaper)

ROBERT

Sure it is. That's HARBOR LIGHTS, Bea.

BEA

Not that HARBOR LIGHTS! That's modern!

AMY

Is there another HARBOR LIGHTS, Bea?

BEA

Certainly there is.

PAULINE

Can you hum a few bars of it, ma?

(BEA seems to hesitate, then takes a deep breath and sings)

BEA

LET THE LOWER LIGHTS BE BURNING SEND A GLEAM ACROSS THE WAVE

(AMY joins in)

BEA/AMY

SOME POOR, FAINTING, STRUGGLING SEAMAN YOU MAY RESCUE, YOU MAY SAVE.

AMY

Bea, that's not HARBOR LIGHTS. That's LET THE LOWER LIGHTS BE BURNING.

BEA

That's what I said.

ROBERT

You said, HARBOR LIGHTS!

(BEA glares at him and points at him with her cane)

BEA

Just where do you think the lower lights are burning?

(ROBERT again retreats behind his newspaper)

PAULINE

(kissing BEA on the cheek)

Ma, we have to go. I'll look for your record next time, all right?

BEA

It's here somewhere.

ROBERT

What isn't?

AMY

I'll help her look for it, Mrs. Lawson.

(PAULINE and ROBERT move to the front door. PAULINE is holding the bag of oranges)

PAULINE

I'll call you tonight, ma.

BEA

All right, dear. And don't forget: You get your money back for those oranges. Tell the man an old lady told you there wasn't enough limestone.

PAULINE

All right, ma.

(ROBERT speaks to the house itself, happy to get away)

ROBERT

Goodbye!

(THEY exit)

BEA

(looking around)

I know that record is here somewhere.

(AMY reaches out and touches her hair)

AMY

Bea Bea, I think it's time you had another wash and trim.

BEA

(waving away the suggestion)

Peeyew! No, thank you. I don't need another half a day spoilt at the beauty parlor.

AMY

What else you got to do that's so important?

BEA

What else? Plenty!

AMY

Name one thing.

(BEA shows her something in the church paper)

BEA

Here. You see? The church is having an orientation meeting tomorrow morning for a water-skiing course. So there!

AMY

Huumph! You'll go water-skiing just as soon as I get an invitation to the White House.

BEA

And look at this.  The Seminole Indian tribe has job openings for alligator wrestlers.  It says, "Must be brave and a risk taker.  Males and females OK.  No experience needed."

AMY

(shaking her head)

Bea Bea, you are something else.

BEA

It says the tribe members are all going into banking and computer technology and law schools.  And it pays twenty dollars an hour and health and life insurance.  What do you think?

AMY

That's fine with me, Bea Bea.  You just be sure your daughter knows about your new profession.

(BEA gets up and walks to the sink and begins washing a few dishes)

AMY

Bea, I'll do those.

BEA

I'm not so helpless I can't do a few dishes. Besides, doing dishes isn't part of your job.

(AMY walks to the sink and starts to dry a plate, then quickly drops it back into the rack)

AMY

I'd rather be busy do somethin' than sittin' around doin' nothin'. Ouch! Bea, how do you stand the water so hot?

BEA

You're hot?

AMY

No. The water. It's so hot!

BEA

Oh, it's not hot for me, my dear. I don't feel much hot or cold in my hands anymore. (laughs) You see? Old age gives a person supernatural powers! (SHE finishes the dishes) I want to show you something. My brother, Charlie Yerring-

(As BEA is talking she has turned to dry her hands but slips on a scatter rug. SHE falls but is caught by AMY before she can hit the floor. Dishes fall to the floor and break)

AMY

Bea! Are you all right?

(BEA's glasses have been thrown off and she is badly shaken. SHE gets up with difficulty. AMY helps her to the couch. BEA is in tears)

AMY (cont)

Are you all right?

BEA

Yes, dear, nothing broken.

AMY

Bea, old folks make up eleven per cent of Americans, but they have-

AMY/BEA

Twenty-three per cent of deaths by accidents.

BEA

I know, dear. You've told me many times.

AMY

Well, you didn't listen many times. You have got to let me throw those scatter rugs out. They are too dangerous.

BEA

(pointing to the rug)

My little dog-

AMY (angrily)

Your little dog is dead and buried and that's just what you're going to be if you don't stop being so silly.

BEA

Don't tell Pauline I fell, will you? No point in worrying her.

AMY

You always say that and then just as soon as your grandchildren call you go telling them and they go telling your daughter!

BEA

(raising her hand as in an oath)

Well, honest and true, may the devil take me if I tell a living soul!

AMY

Don't be tempting the devil; he's up to his worst without any temptation from you. Now, what is it you want to show me?

BEA

What?

AMY

You said you had something to show me.

BEA

I did?

AMY

Something about your brother Charlie.

BEA

Oh! Hand me that folder, will you, dear? Can you take the book out of it?

AMY

Why, look at this: This book is leather. (SHE reads) 'Song Book of Beatrice Ida Mae Yering'.

(BEA unfolds a newspaper clipping she took from it. The paper is yellow and brittle)

AMY (cont)

You must have been only nine or ten years old when you had this!

(BEA either doesn't hear or simply ignores this)

BEA

You see, my brother, Charlie Yering, was the police chief in Groton Long Point. This is about his accident. He died, let's see, that must have been some 35 years ago. You see the section I saved has part of an article on John Kennedy. He had just been elected.

AMY

It says he was just nominated. Anyway, you should have written the date on it.

BEA

I should have. I guess I forgot. You see what it says here. They speculated he had a heart attack in the car while he was making his rounds. The car ran off the highway and hit a utility pole.

AMY

He was still a fine looking man.

BEA (dreamily)

Split the pole in two. It just dangled in the air, held upright only by the wires. Just hanging there right in front of me, suspended...

AMY

You were in the car?

BEA

Of course I was in the car.

AMY

Well, Bea, it says here he was driving on his rounds. It doesn't mention-

BEA

I remember it like it was yesterday!

AMY

Wait a minute! It says your sister Gertie was in the-

BEA (anger and tears)

Gertie wasn't anywhere near him when he died!  I should know who was in the car, shouldn't I?

AMY

All right, Bea. Don't get excited.

BEA

I was always closest to Charlie. Pauline knows that. You ask her.

AMY

All right, Bea.

(As AMY returns the book and clipping to the folder, another 78 RPM record falls from the folder. AMY picks it up)

AMY

Bea. We found it!

BEA

What is it, dear?

AMY

The one you're lookin' for: 'Let the Lower Lights be Burning.'

BEA

At last. Play it will you?

AMY

Somebody wrote 'page 16' on the jacket. (SHE opens the songbook) Here it is! In your book. Now you've got the song sheet and the record.

(AMY plays the record. As they listen BEA starts to sing along and AMY joins in. As the scene fades to black, the recording increases in volume and plays into the beginning of the next scene)

 

BLACKOUT

 

The Cracker Box continues